End Of You

by Poppy Amy Lee Courtney Laplante

I toil in silence, don't know where my mind is
Numb from the shock of it all
Cut myself open, but I wasn't broken
Tried to fix what wasn't wrong
Can you feel it taking over? I know I'm not alone
If I must go, the waves should drag me out
When every light was kept so close
Burned by the game for what I chose
Now you're tossing and turning
I'm pulling the plug on the dreams
'Cause the end of you is the start of life for me
How was I to know?
Crystalline castles turned to dust in the palm of your hand
But I'm wide awake this time
Burn it down to find nothing inside
Can you feel it taking over? (Feel it taking over)
I feel it creeping in (I feel it creeping in)
I'm back at the edge again

Interpretations

MyBesh.com Curated

User Interpretation
**End Of You: A Triumphant Exorcism of Codependency**

This powerhouse collaboration delivers a searing declaration of independence from a relationship or situation that demanded self-destruction as the price of admission. The core message centers on the paradox of healing: the narrator subjected themselves to unnecessary surgery on a soul that wasn't actually broken, mistaking wholeness for brokenness because someone else's vision demanded it. What emerges is a meditation on reclaiming autonomy after realizing that what felt like love or belonging was actually a systematic dismantling of self. The song's genius lies in its refusal to romanticize the aftermath—there's no neat resolution, only the raw acknowledgment that survival sometimes requires cutting away what once felt essential.

The emotional landscape here is volcanic, channeling fury through the filter of hard-won clarity. This isn't the immediate heat of betrayal but rather the cold, determined anger that comes from retrospection, when you finally see the manipulation clearly. The three vocalists create a Greek chorus effect, suggesting this isn't one woman's story but a collective howl of recognition. There's exhaustion in the verses, that bone-deep weariness of emotional labor performed for an ungrateful audience, contrasted sharply with the almost manic energy of liberation in the chorus. The oscillation between numbness and awakening captures the disorienting process of leaving behind what once defined you.

The lyrical architecture relies heavily on elemental and architectural imagery—water threatening to drag the narrator down, fire burning away illusions, crystalline castles crumbling to reveal their structural emptiness. These aren't merely decorative flourishes but rather map the transformation from fantasy to reality. The metaphor of pulling the plug on dreams is particularly devastating, suggesting that hope itself became toxic, that the only path forward required killing off what once animated them. The repeated question about feeling something take over introduces a haunting ambiguity: is it trauma reasserting itself, or is it the strange, unfamiliar sensation of reclaiming personal power? This duality makes the song intellectually honest about recovery's messy non-linearity.

Universal resonance comes from the song's excavation of a profoundly human trap: the sunk cost fallacy applied to relationships and identities. How many people have performed unnecessary surgery on themselves, "fixing" imaginary flaws to meet someone else's specifications? The song speaks to anyone who's ever confused sacrifice with love, or who mistook another person's damage for their own responsibility. It connects to broader social themes about how women especially are conditioned to be accommodating shapeshifters, and the revolutionary act of simply refusing to keep playing that game. The line about choosing and being burned for it touches on the universal fear that authenticity carries unbearable consequences.

This song resonates because it articulates what many feel but struggle to name: the grief involved in choosing yourself when you've been trained to choose everyone else first. The collaboration between three vocalists known for challenging genre boundaries and expressing unvarnished emotion creates credibility—these aren't pop confections but battle-tested artists comparing notes from the front lines. Audiences connect because the song doesn't offer false comfort or suggest that leaving is clean or simple. Instead, it validates the terrifying experience of standing at the edge again, acknowledging that healing isn't linear, but insisting that even imperfect freedom beats perfected captivity. It's a song for anyone who's ever had to become the villain of someone else's story to be the hero of their own.